In this part of my “Swingin’ with a Metronome” series, I’m playing several choruses of “Have You Met Miss Jones?”. The metronome is set to 25 bpm, which I interpret as the 2nd beat of each bar. So the actual tempo is 100 bpm. This performance includes two-beat feel, walking bass lines, and a solo chorus. Transcription included! #timekeeping If you like to try it yourself, you can use my metronome backing track:
In this part of my “Swingin’ with a Metronome” series, I’m again combining a two-beat feel with a walking bass line. The metronome is on the 2nd and 4th beat of each bar. Transcription included!
Make a walking bass line swing! In today’s episode of “Swinging with a metronome”, it’s “But Not For Me”, written by George and Ira Gershwin. The metronome is set very slow to 32 bpm (!), and clicks on the 4th beat of every bar. Transcription of the first three choruses included!
Make an up-tempo walking bass line swing! In today’s episode of “Swinging with a metronome”, it’s the tune “Anthropology”, or, in fact, any tune which uses rhythm changes. The metronome is set to 59 bpm, and clicks on the 4th beat of every bar – and only then. Transcription included!
Make a walking bass line swing! Today, I’m combining a two-beat feel with a walking bass line. I’m playing 2 choruses, the metronome is on the 2nd and 4th beat. Transcription included!
This demo combines my scale improvisation lesson (see #SCALES – improvise using the major scale) with one of my backing tracks. I’m playing a Bb major scale over a backing track in 5/4 time. Of course, other combinations are possible. In this video, I try to show what’s possible with only one scale if you follow my improvisation rules presented in LOE 002. 0:22 Improvisation demo: Level 1 2:32 Improvisation demo: Level 3 Impro rules (in short): Level 1: scale only, always up and down 2 octaves, no notes skipped Level 3: change direction any time you want, skipping notes before…
Make a walking bass line swing! In today’s episode of “Swinging with a metronome”, it’s the tune “Bye Bye Blackbird”. I’m playing 2 choruses, with slight reharms. The metronome is on the 2nd and 4th beat. Sheet music included!
The last episode of my “Exploring the Fingerboard” series is about finding and naming notes within any single position. To this end, we have to make use of octaves and fourths, and the “next stop” rule. Contents: 0:50 – The “small window” problem 1:31 – Octaves 2:39 – Fourths 3:49 – Octaves again 4:29 – Exercise 8: Naming 2 notes on each string within a position 5:12 – Ex. 8A: Starting with the note D (A string, 3rd position) 6:09 – Ex. 8B: Starting with the note E (A string, 4th position) 7:04 – Summary & goodbye topics: fingerboard…
In part 3 of my “Exploring the Fingerboard” series, I’m adding sharps and flats to the notes. This helps us exploring the “in-between” positions. The “next stop” rules (part 1) are necessary to master this episode’s exercises (#5 to #7). Index: 0:56 – sharps 1:21 – Exercise 5: Play the ABC on the A string but add a sharp to every note 2:06 – Exercise 5A: upwards 3:30 – Exercise 5B: down the A string (same fingering) 5:03 – flats 5:58 – Exercise 6: Play the ABC on the G string but add a flat to every note 7:25 –…
In part 2 of my “Exploring the Fingerboard” series, I’m exploring the other strings, using the same rules and concepts introduced in part 1. This part includes exercises #2 to 4. Index: 0:46 – Summary of part 1 1:33 – Exercise 2: Play the ABC on the G string 4:33 – Exercise 3: From E to E on the D string 6:04 – Exercise 4: From E to E on the E string topics: fingerboard orientation, notes, note names Level: beginner Instruments: double bass Duration: approx. 8:22 min For a list of all my video lessons go here.…
